How to Present Your Book Manuscript to Another Reader

Read time: 2 mins

Once your first draft is done, and you have taken a well-earned break, the manuscript will need some more work. You may make further drafts and do some self-editing. Then could be when you feel it is ready for someone else to read. If your presentation lacks uniformity you should consider resolving this before anyone else reads it. This standardisation will reduce the reader being distracted from the meaning of the words.

Who will the next reader be?

Who you choose to read through your manuscript could be a family member, a beta reader, a friend, publisher, an agent or any combination of these. Maybe you will decide to collaborate with a professional editor, as you could feel that the writing would benefit from their expertise and fresh eyes. Whoever you present your writing to, you will want them to form an opinion and probably offer some feedback, advice and their suggestions for improvement.

Why good presentation matters

How your manuscript looks to a reader will make an impression, favourable or otherwise. Clear writing will take the reader less time to read. This would be desirable even if they were family but if they’re an editorial professional a difficult-to-read manuscript could end up costing you more in their time. Presenting your manuscript well will reflect how seriously you take your writing and how well you respect their time.

How to set out writing clearly

Some agents and publishers offer authors a predetermined style, in the form of submission guidelines or author guidelines. Experienced authors may have a style or convention they like to follow for all their writing as their own preferences or guidelines.

If you do not have a documented format that your manuscript should follow there is flexibility but aim to be consistent. As a general guide the following choices will present a clear, readable manuscript:

  • Use a title page(unnumbered)
  • Begin numbering on the first page of the text
  • Typeface: keep to one font throughout and use a commonly available one such as 12 point, regular (not bold in text), Times New Roman, Black
  • Margins 1 to 1.5 inches all round
  • Each chapter on a fresh page, following a page break (not multiple spaces down to the start of the new page)
  • Line spacing 1.5 or double spaced
  • Align left (also called ragged right)
  • Only one space between sentences
  • Do not use tabs (use Word Styles with indents of five spaces for each new paragraph)

Care with formatting your manuscript will make your work easier to assess and eventually to typeset. This level of presentation will help with reader experience and reduce distraction from the message of your writing.

By doing this you will come across as having a professional attitude to your writing and help everyone concentrate on what you written rather than how you have written it.

The final arbiter is you

The more people you get to read your manuscript the more opinions and suggestions you will collect. Once two readers have seen your manuscript be prepared for them not to agree on everything. Professional editors are likely to back up their suggestions with reasoned explanations but on reviewing their edits, if you feel that you need more explanation or are unclear, you should ask for clarification. Whoever you get to check your writing before it moves to the next stage always remember that you will be the one attaching your name to it and as author you are the final arbiter.

To let me know about your fiction or creative nonfiction writing do get in touch, perhaps we can collaborate.

How Long Should My Book Be?

Read time: 3 mins

Often writers will ask me variations of the question ‘how many words make a proper book?’ This question suggests the questioner is probably a new writer. They may not have spent long looking at the type of books they are writing or aspire to write.

As with many questions about writing, my immediate thought is, it will depend. Although some will say that a creative should let their writing flow and produce the manuscript which tells their story and writing should not be constrained by a set wordcount, this is not going to help a new writer. In the early stage of getting a first draft written, flowing creativity is most helpful and story is paramount. The beginning, middle and the end need to be crafted. At some point in the writing process, perhaps still at first draft or when self-editing and editing, manuscript length is worth considering.

When does it NOT matter how long a book is?

When the words are precisely as the author wants and the intention is to self-publish, the wordcount does not matter. Some books may be made in this way, for example where a poet has invested a great deal of time crafting their lines and verses and has a group of themed poems to go into a volume. The author is the final arbiter and if this is their process the reader could be presented with any wordcount in a book. Once an author has become established and has a loyal following, they can be less concerned about the wordcount of their manuscripts.

When DOES it matter how long a book is?

With digital publishing typesetting constraints are not what they once were but physical books still have the same issues.

Picture books are typically thirty-two pages long, as they need to be in page count multiples of eight. The words need to fit within this construction.

Most books are not tied to a fixed page count, and equally most are not entirely free from an expected wordcount norm.

At any stage in the writing and publication process the word count of a manuscript comes with implications.

  • Getting it written – if you know the wordcount you are aiming to write for a project (whether book, blog post or article) you can use it as a gauge for how far remains to completion. The wordcount can be helpful to break the writing down into chunks which are more manageable to consider as chapters, scenes or acts to help bring a balance or pace to the narrative. Grouping wordcounts within a long-form manuscript can help outline and plan.

  • Managing the project – wordcount can be used to monitor progress. Awareness of wordcount helps with scheduling dependent activities such as self-editing, copyediting, proofreading, beta readers, publication and marketing.

  • Meeting genre expectations – book genres come with standards for the number of words they require which is based on traditional publishing. Staying within the recognised wordcount appropriate to genre will prevent frustrating the expectations of others.

  • Wordcount will have a bearing on editing and proofreading costs; production costs and perceptions of value. Books which seem short may appear as poor value for money and books that are longer than readers expect may be perceived as drawn out or demanding.

What are standard traditional publishing wordcount guidelines?

These are benchmarks wordcounts and come from various sources including Hill (2016), and the Writers and Artists Yearbook (2020):

Children’s Picture Books: up to 500 (absolute maximum 1,000)

Short Stories: 1,000 to 8,000

Children’s Chapter Books: 6,000 to 10,000

Novellas: 20,000 to 50,000 (some recommend a maximum of 40,000)

Novels: between 40,000 and 100,000 but typically 90,000

Young Adult: 50,000 to 80,000

New Adult Novel: 60,000 to 85,000

Horror, Mystery, Suspense, Thriller: 70,000 to 90,000

Mainstream Romance: 70,000 to 100,000

Literary Fiction: 80,000 to 110,000

Women’s Fiction: 80,000 to 110,000

Crime: 90,000 to 100,000

Science Fiction: 90,000 to 125,000

For a new writer it is advisable to keep within wordcount guidelines as it is less likely to succeed as an exception than by conforming, although there will always be some exceptions.

To see how I can help with your fiction or creative nonfiction do get in touch.

Resources:

Hill, B. (2016). The Magic of Fiction: Crafting Words into Story: The Writer’s Guide to Writing and Editing. Atlanta: Title Page Books

Writer’s and Artist’s Yearbook (2020). Writer’s and Artist Yearbook 2020 113th ed. London Bloomsbury Yearbooks

Should Dad Be Lowercase?

Read time: 2 mins

Illustration courtesy of sketchrobin.com

Speech can bring difficulties when it is written and one area of difficulty is that of whether to capitalise some naming words. This is because words Mum, Dad and Grandad have different forms. These words can be used in their proper noun form, and this is when they should be uppercase.

Proper noun form

Sentences where these words are used as proper nouns:

Did you like the flowers, Mum?
Can I borrow your glasses, Dad?
I asked Grandad to pass the map.

To check that a word is being used in this form you can keep the sentence the same but swap out the proper noun form and swap in their proper name, if the sentence still makes sense then the word was being used in its proper noun form.

The same sentences with the names swapped in:

Did you like the flowers, Mary Gilesbie?
Can I borrow you glasses, Ian Telling?
I asked Alfred Potter to pass the map.

Generic noun form

However, these words can also be used generically – as generic nouns or regular nouns and when they are, they are lowercase.

Sentences where these words are used as generic nouns:

If theses sentences are given the same swap test they don’t work because the word was being used as a generic noun.

My mum does not like red flowers.
All dads have children.
My granddad called on us.

Sentences where generic nouns have been swapped for proper names:

My Mary Gilesbie does not like red flowers.
All Ian Tellings have children.
My Alfred Potter called on us.

                   

Rules of thumb

  • Whenever these words are preceded by a possessive adjective like (my, your, his, her, its, our, your, their) the noun will be lowercase.
  • Whenever you use these directly as a name, they will be uppercase.
I brought this for your mum.
The coat was from my dad.
These are from Grandad.
  • When there is determiner preceding the word (such as – a, an, the, this, that, these, my, his, their, much, many, some, two, seven, all, every) use lowercase.
Some mums drove the car.
Seven dads ate the pizzas.
His grandad was in the play.

This works for other similar words in the same way, these include: uncle, aunt, father, mother, daughter, cousin etc.

Is it a name?

Changing between upper and lowercase depending on usage happens with other words. This applies to when the word is a title or political entity.

Where a word is used as a name it will be uppercase:

They followed Captain Wilson over the bridge.
We walk up the steps to meet Queen Bess.
Come on let’s go Governor. (instead of name)

Where a word is not when it is not being used to replace a name and is being used as a description it will be lowercase.         

Our old captain turned to fight.
The girl was a princess.
The governor was going to the meeting.

Style guides often have requirements regarding capitalisation and these should be followed where applicable but as with general rules about writing it is important that the rule is applied consistently or the writing can be jarring and the reader can be distracted from the meaning of the content.

You may also like to check my services for writers and to let me know about your writing do get in touch.